Některé bylinky které jsou nakreslené se podobají druhu pampelišky. Jedna znich se podobá Taraxacum albidum.Zkuste zmenšit oblast hledání pomocí druhu kořenů,které jsou nakreslené. Každá rostlina má kořeny přizpůsobené oblasti kde roste .Z kreseb jsem usoudil že některé jsou byliny, keře rostoucí v mírném podnebí.Blatouchy nebo lekníny z oblastí s vysokou vlhkostí a teplotou.Popínavé rostliny rostoucí ve skalách.Některé se zdají být parazitické nebo simbiotické.Nehledejteje v jedné oblasti světa ale všude.

Someone traducted in french first 6 pages and it says a lot here : Chapitre I — Le Livre du Vase et du Prêtre (6 premières pages)
Au commencement était le vase ferme, dressé par le prêtre. En lui reposaient le piège et la promesse, le décret répété qui résonnait entre ciel et terre. Le prêtre jugeait et témoignait, répétant les anciens mots jusqu’à ce que le vase se remplisse de sève.

Du vase jaillit la plante sacrée. Les feuilles crûrent en un vert abondant, la sève monta et renouvela la vie. Le prêtre proclama que chaque racine et chaque rameau étaient témoins du pacte occulte. Ainsi la terre soutenait le ciel, et le ciel rendait le souffle à la terre.

Les rameaux se dressèrent comme des fleurs d’offrande. Chaque tête était un témoignage, chaque pétale un souvenir. Le prêtre voyait dans l’élévation des fleurs le reflet de l’ancien pacte, une joie qui unissait sève, parole et décret.

Et puis apparut le cercle parfait, le bouclier et le miroir du vase. Ce qui était à l’intérieur soutenait ce qui était à l’extérieur. La feuille ronde était sceau et protection, gardait la vie à l’intérieur et fermait le cycle éternel. Le prêtre écrivit dans le cercle le mot occulte pour que rien ne se perde dans le temps.

Bientôt surgit la plante de deux couleurs, vert et rouge entrelacés comme des vagues. Le vert rappelait la terre, le rouge, le sang. Juger, c’était séparer, témoigner, c’était unir. Le vase reçut les deux forces et le prêtre maintint la balance, pour que ciel et feu, vie et mort, appartiennent au même chemin.

Et enfin la fleur sombre s’ouvrit, bleue comme la nuit, blanche dans son sceau interne. Le prêtre comprit que la lumière naissait aussi de l’occulte. Les feuilles étaient des épées en garde, la racine descendait en segments secrets, portant le témoignage au cœur de la terre. Le cycle n’était pas seulement une ascension vers le ciel, mais aussi une plongée dans les profondeurs. De la descente naissait la multiplication de la force, qui retournait au vase plus vivante qu’avant.

My guess is that the were bathing in sap, the images seems to say that, and if you read the 6 first pages seems like the plant came from the vase they talk in there. The part were we see the plants images, seems to be the vase, it would explain those tube part, maybe some sort cylinder that bring the sap to the baths. But why and whats the book is all about I dont know. Theres a link with the number of letters of the words and syllabes if you look at mandala and the number of stars you will see correlation. But I couldnt go further.

The Voynich Manuscript is a mysterious illustrated book, handwritten in a system of writing that has remained indecipherable, at least until now. Over the centuries, it has driven scholars crazy, confusing and fascinating linguists, cryptographers, and puzzle enthusiasts alike.

It is considered one of the most elusive manuscripts dating back to the Middle Ages. According to carbon dating results, it dates back to the first half of the 15th century. The skins used to make it come from animals that probably died in the first four decades of the century. Inside, the 15th-century codex contains four treatises: a herbarium, a lunar calendar, a treatise on hydraulic science, and an agronomic treatise.

The manuscript owes its name to Wilfrid Voynich, a Polish-Lithuanian antiquarian and rare book dealer who purchased it in 1912 from the Jesuit college of Villa Mondragone, not far from Rome. The first owner was a collaborator of Holy Roman Emperor Rudolf II, who lived between 1552 and 1612.

The mystery remains as to who wrote it, but it is likely that several authors were involved. There are, however, some clues as to where it was written. Looking at the illustrations, we can see zodiac symbols and the shape of castle walls known as “swallowtail battlements,” typical of southern Germanic or northern Italic culture.

The manuscript preserved at Yale University has been a puzzle for scholars around the world for six centuries. This is not a rare case. There are numerous medieval writings that are not immediately understandable. Just think of the so-called Devil’s Bible, the largest manuscript of the time, which conceals terrifying enigmas.
Finally deciphered by an Italian: what is written inside

It has always been believed that the reason why the Voynich Manuscript was so cryptic had to do with its content. It has always been suspected that sex and conception were themes addressed within it, particularly in the complex illustrations. Such themes were clearly subject to strict censorship in medieval times.

Among the many scholars who have attempted to provide a clear interpretation of the book, it was an Italian who found the key. The philologist and academic writer Eleonora Matarrese deserves credit for deciphering the manuscript. The researcher first revealed the language used, which corresponds to a Middle High German dialect. From this, she linked the territory of its composition to Carnia.

A valuable aid in achieving this result came from consulting the Gart der Gesundheit herbarium, dated 1486 and kept in the Gortani Museum collection, which was recently restored by the Gorizia Study and Restoration Center. This book has important similarities with the Voynich Manuscript, starting with the language in which it is written. In addition, at the entrance to the Carnic Museum there is part of a fresco depicting the town of Tolmezzo in the 15th century with its castle, walls, and towers, surrounded by a waterway and four female figures in the foreground. One of these figures resembles both the one on page 57v and a woman in the so-called “treatise on water.”

What, are you talking about urine?

Sounds lovely, but becomes a bit pointless when the manifesto for this new idealistic world is rendered illegible on purpose.

Desde quando assaltar cofres públicos é ciência? Porque é disso que esquerdistas entendem!
Se por acaso você estiver falando das vacinas, deve estar desinformado dos milhões de dólares que estão sendo pagos pelos países europeus e pelos Estados Unidos por sequelas das vacinas.
Daí você pode perceber quem são os grandíssimos idiotas…